Prev | Next (1 of 20) Back to thumbnails

  • Composite Structures

    Installation view from gallery entrance.

  • Composite Structures

    Installation view of the "Mending Fences" portion of the exhibition.

  • Composite Structures

    Installation view featuring a painted mural by Jaclyn Senne of Kansas City.

  • Composite Structures

    Installation view featuring a sculpture by Chris Vorhees of Cincinnati.

  • Composite Structures

    Installation view from the back of the gallery space featuring hte work of Susan Giles (left projection) and Jeff Carter (foreground floor sculptures) of Chicago.

  • Composite Structures

    Still from animation by Barry Anderson of Kansas City.

  • Composite Structures

    Still from animation by Barry Anderson of Kansas City.

  • Composite Structures

    Installation view of the "Low Accumulations" portion of the exhibition.

  • Composite Structures

    Photograph by Marina Pinsky of Los Angeles.

  • Composite Structures

    Installation view featuring the work of JPW3 of Los Angeles.

  • Composite Structures

    Framed work on paper by Eduardo Consuegra of Los Angeles.

  • Composite Structures

    Wall sculpture by Sonja Gerdes of Los Angeles.

  • Composite Structures

    Installation view.

  • Composite Structures

    Installation view.

  • Composite Structures

    Installation view featuring a wallpaper mural by Sonja Gerdes of Los Angeles.

  • Composite Structures

    Installation view featuring photographs by Scott Hocking of Detroit.

  • Composite Structures

    Installation view of "Open Plan" library and workshop tables by Elvis Achelpohl, Leandra Burnett, and Sarah Murphy of Chicago.

  • Composite Structures

    Detail of "Open Plan" library and workshop tables by Elvis Achelpohl, Leandra Burnett, and Sarah Murphy of Chicago.

Composite Structures
Organized by Inaugural Charlotte Street Curator-In-Residence Jamilee Polson Lacy
with special guest curator Lee Foley
La Esquina, Charlotte Street Foundation in Kansas City, Missouri
January 18 - March 2, 2013

Composite Structures brings together artists who combine architectonics drawn from a range of art and architectural sources to create singular works of art. The exhibition comprises two subtitled parts: Mending Fences, curated by Charlotte Street Curator-In-Residence Jamilee Polson Lacy, which showcases Midwestern artists who apply multiple layers and manipulations—some conceptual, some formal—to the ideas of Modernist architects which feature prominently within the Midwestern urban landscape; and Low Accumulations, organized by Los Angeles-based curator Lee Foley, which includes Los Angeles-based artists who use assemblage and design to reflect a post-structural viewpoint and an urban sensibility unique to Southern California. Composite Structures additionally features Open Plan, a library and workspace offering another platform for exploring interchanges between art and architecture across localities and communities.

Composite Structures: Mending Fences

Mending Fences operates from this distinctly Bauhaus dialectical thought: Discord is necessary to the pursuit of harmony. The Midwestern artists featured show a multiplicity of differing, conflicting, even contradictory currents on what can be salvaged from the Midwestern Modernist utopia. Referencing the likes of European Bauhaus transplants Walter Gropius and Ludwig Mies van der Rohe, each artwork recalls Modernist environments built for maximum productivity—creative, social or otherwise—and infuses them with 21st-century Midwestern notions of pleasure, pragmatism and the ability to make do. In turn, Mending Fences reveals where the Midwestern artist’s sense of recent art and architectural history intersects with the capacity to create something new.

Composite Structures: Low Accumulations

Low Accumulations explores and deconstructs the tropes of an idealized Southern California lifestyle as defined by mid-century Modernist architects. Artists Eduardo Consuegra, Sonja Gerdes, Marina Pinsky, and J Patrick Walsh III use assemblage tactics to build contextual grounding for a more adaptive approach to Los Angeles. In these works, appreciation for streamlined aesthetics merges with acceptance of smoggy skylines, strip malls, late nights in East L.A., traffic. Self-reflective compositions of aggregated material evoke the inefficiencies of life in L.A. and everywhere else. Low Accumulations suggests that one must synthesize a personal methodology or lifestyle with materials at hand.

Composite Structures Library/Workspace: Open Plan

At the entrance of Composite Structures, the curators have commissioned the design and construction of Open Plan, a library and workspace by Kansas City-based artists Elvis Achelpohl, Leandra Burnett and Sarah Murphy. This functional structure provides yet another site within the exhibition for reflection on history, innovative thought and critical dialogue across locations and communities. The library, curated by Lacy and Foley for public perusal, contains a selection of publications, documents and objects highlighting interchanges between art and architecture. Additionally showcasing the convergence of the two disciplines right here in Kansas City, the workspace hosts a number of local practitioners to contribute to the trajectories presented within Composite Structures.

All photographs by E.G. Schempf.